COMPANY STORY · LOS ANGELES

The film that explains you better than you do.

Your website says the same words as every competitor. Sales re-explains the company from scratch on every call. This is one directed film — with a real treatment behind it — that makes people understand, and want in.

On record for

THE PROBLEM

The symptoms of a story problem

01

Everyone describes it differently

  • Ask five people what the company does and get five answers.

02

The website could be anyone's

  • Same category words, same stock photography, same promise.

03

Sales starts from zero every time

  • Every call begins with a ten-minute explanation that should already be done.

04

Recruiting is a hard sell

  • Good people can't tell why this company and not the one next door.

3–5min

hero film, directed to a treatment

3

chapter films cut from the same shoot

2

shoot days, fully crewed

PACKAGES

Pick the size that fits

Fixed scope, fixed price, agreed before anything is booked.

Story Short

One clear film, without the campaign.

$8,500

pre-production + 1 shoot day

  • Treatment and pre-production
  • One shoot day, crewed
  • Brand film, 2–3 minutes
  • Three social cuts
  • Licensed score
  • 30-day delivery
Book a call
The flagship

Company Story Campaign

A rebrand, a raise, or a real market push.

$18,500

pre-production + 2 shoot days

  • Treatment and full pre-production
  • Two shoot days, full crew
  • Hero film, 3–5 minutes
  • Three chapter films
  • Ten social cuts
  • Photography set
  • Colorist pass and licensed score
Book a call

Story Campaign+

Multi-site companies and national campaigns.

$35,000

pre-production + 4 shoot days

  • Four shoot days including regional travel
  • Hero film plus five chapter films
  • Founder film
  • Twenty social cuts
  • Full photography set
  • Complete organized archive
Book a call

Annual Story Continuity — $12,000 per year

One shoot day a year, a refreshed hero cut, and five new social cuts — so the film doesn't quietly go out of date.

The difference

One film. Everyone finally gets it.

WHAT YOU GET

How it's actually built

TREATMENT

The film is decided before it's shot

  • Written treatment you approve
  • Locked creative direction
  • No discovery on the shoot day
  • The document is yours

DIRECTED

Crewed, lit, and led

  • Cinema bodies, full lighting
  • Second camera and audio
  • Director-led interviews
  • Colorist pass

CHAPTERS

One film becomes many

  • Chapter films by theme
  • Social cuts from the same shoot
  • Recruiting and sales versions
  • Captioned throughout

SCORE

Licensed for where it actually runs

  • Cleared for advertising use
  • Not a social-only license
  • Original score available
  • Mixed for web and broadcast

THE WORK

What this looks like

Selected frames from BD productions.

Narrative film production

NARRATIVE

Directed, not documented

Brand campaign production

CAMPAIGN

Built to run everywhere

Film crew on location, Los Angeles

CREW

Lit and operated

Large-format production coverage

SCALE

Big rooms, real stakes

PROCESS

Four steps, no mystery

STEP 1

Discovery

We interview you before we film you. The story comes out here.

STEP 2

Treatment

A written creative direction. You approve it before anything shoots.

STEP 3

Production

Two crewed days. Directed, lit, and planned to the treatment.

STEP 4

The campaign

Hero film, chapters, and cuts — one story, many places.

QUESTIONS

The things people ask

How is this different from Corporate Content Day?
Content Day is volume — many pieces, sold by the quarter. This is one directed film with a treatment, a crew, and a colorist. Different intent, different craft, different price.
What if we don't know our story yet?
That's what discovery is for. Most companies know it and can't say it out loud yet. If it turns out there genuinely isn't one, we'll tell you before you spend the production budget.
Can we make changes after the shoot?
Creative direction locks at treatment approval — that's what protects the film from being edited into mush. Two rounds of color and one round of creative cuts are included after that.
Who appears in it?
Usually a mix of leadership, team, and sometimes customers. Everyone on camera signs a release, and customer appearances need their own clearance.
Can we run it as a paid ad?
Yes, if we scope it that way — advertising use changes the music license and the releases. Tell us up front and it's straightforward. Tell us after and it can be expensive.

Let's tell your story.

Fifteen minutes, no deck. Tell us what's broken and we'll tell you what we'd do about it.